The concerto for violin and Oboe BWV 1060 follows the standard Italian baroque concerto structure: three movements: fast-slow-fast. Other Italian influences (such as aria style melodies and strong rhythmic drive) were stylish in Cothen, and Bach made certain to include such elements.
The first movement (Allegro) alternates between soloists and orchestra clearly defining the separation of forces. A brisk, sturdy main theme is shared by soloists as well as the orchestra, not only in thematic imitation and combination, but also in motivic echoes.
Similar to Vivaldi’s concerto procedure, the second movement (Adagio) features an aria-influenced melodic line. Beginning with the oboe, Bach fashions an elegant cantilena, drawn in contrapuntal texture as a duet for the soloists.
The flashy last movement features a crisp main theme, presented in entirety, which will also reappear within the central and closing sections of the movement. Its joyous personality controls the mood, and it remains the main topic of conversation.
Here is the Concentus Musicus of Vienna to play this music for you:
