Robert Schumann composed the Piano Concerto for his beloved wife, the pianist and composer Clara Wieck Schumann (1819-1896). The work originated in May of 1841 as a Fantasy in A minor for piano and orchestra. In 1845, Schumann added two movements to the Fantasy, and it became the concerto we know today.
The Concerto is in three movements, the final two played without pause. The first (Allegro affettuoso) opens in dramatic fashion, with a forte orchestral chord, immediately followed by an emphatic descending passage for the soloist.
The oboes, supported by the clarinets, bassoons, and horns, sing the espressivo principal theme, soon repeated by the soloist. The brief second movement (Intermezzo. Andantino grazioso) is in A—B—A form.
In the finale (Allegro vivace), the soloist introduces the joyous principal theme, again related to the principal melody of the opening movement. The finale concludes with an expansive coda, in which the soloist takes center stage, closing with a dazzling, ascending flourish.
Here is a wonderful performance of this work, supported by the Vienna Philharmonic:
